Generative Art Timeline · Chapter 2: Modern Era (1850–1949)

1924

André Breton Writes the Surrealist Manifesto

Event

Sepia photobooth portrait of André Breton looking toward the camera with both hands raised to his round glasses.
André Breton in a photobooth portrait, c.1928–1929, several years after his 1924 Surrealist Manifesto. Photomaton, Portrait d’André Breton aux lunettes, c.1928–1929. Centre Pompidou, Musée national d’art moderne, Paris (AM 2003-272). © droits réservés. Photograph of the work: Philippe Migeat — Centre Pompidou, MNAM-CCI; image distribution: GrandPalaisRmnPhoto. Image source.

One of the most important predecessors of generative art due to its use of chance, Breton called for artists to bypass reason and rationality by accessing their unconscious mind. Contemporary language artist, Sasha Stiles details its importance: “The French poet, critic and editor André Breton publishes the Surrealist Manifesto, in which he lays the groundwork for subsequent automated and aleatory writing techniques by defining Surrealism as ‘Psychic automatism in its pure state, by which one proposes to express…the actual functioning of thought…in the absence of any control exercised by reason, exempt from any aesthetic or moral concern.’”

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

André Breton, Sasha Stiles

Movements

Computer Text, Generative Poetry, Surrealism

Filed under

Ideas
automatism, Chance Art, Computer Text, Generative Poetry, poetry, randomness, Surrealism
People
André Breton, Sasha Stiles
Works
Surrealist Manifesto

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