Generative Art Timeline · Chapter 3: Analog Era (1950s)
c. 1953
Antennae with Red and Blue Dots by Alexander Calder

This important example of kinetic sculpture, dated c.1953 by Tate, was created using a set of rules (i.e. “the smallest black elements should hang as far from the largest black elements as possible, not directly beneath them”) to create random motion. Kinetic sculpture was a critical predecessor to the digital motion of electronic (generative) art.
Text by Peter Bauman. Generative Art Timeline, Le Random.
Sources
- Popper, Frank. Art of the Electronic Age, 12. New York: Thames and Hudson, 1997.
- tate.org.uk
People
Movements
kinetic art
Filed under
- Ideas
- Material Generative Art, randomness, rules, Rules-Based Art
- Technologies
- kinetic art, kinetic sculpture
- People
- Alexander Calder
- Works
- Antennae with Red and Blue Dots
- Organisations
- Tate
Echoes across time
- 1970 · The Senster by Edward Ihnatowicz
- 1971 · Kenneth Martin, Chance and Order V, 1971-2
- 1971 · Tsai Wen-Ying, Umbrella
Le Random editorials
Le Random podcast
- Timeline Ch 3—Analog Era (1950s) with Georg Bak — listen with transcript on Le Random (10 Aug 2023, 65 min). Chapter 3’s episode. Apple Podcasts · Spotify