Generative Art Timeline · Chapter 5: Artist-Programmer Era (1970s)
1978
Arbitrary Fragments by Barbara Latham

This pioneering work of video art saw Latham commenting on the inherently fragmented nature of video. The work features extensively manipulated and processed visuals showcasing this fragmentation.
Latham explores the blending perceptions of herself and her creations, highlighting the interconnected nature of video, storytelling and identity formation, where fact and fiction intertwine to shape one’s identity.
Latham’s creation is a video persona that is something distinct from her true self. The piece anticipates the growing tension between video art and identity, which contemporary artists like Maya Man explore.
Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.
Sources
People
Movements
video art
Filed under
- Ideas
- authenticity, avatars, fragmentation, identity, storytelling, video art
- Technologies
- video
- People
- Barbara Latham, Maya Man
- Works
- Arbitrary Fragments
Echoes across time
- 2014 · Ten Questions Concerning Generative Computer Art by McCormack et al.
- 2025 · Machine Love at Mori Art Museum
- 1996 · The Crossing by Bill Viola
Le Random editorials
- Maya Man on Generative Meaning, Peter Bauman, September 13, 2023
- Barbara London on New Territory, Peter Bauman, February 11, 2025
Le Random podcast
- Maya Man & Ann Hirsch—Ironic Sincerity and Online Gender Performativity Extremes with Peter Bauman — listen with transcript on Le Random (14 Nov 2025, 48 min). Featuring Maya Man. Apple Podcasts · Spotify
- Timeline Ch 5—Artist-Programmer Era (1970s) with Joan Truckenbrod, Hans Dehlinger & Anika Meier — listen with transcript on Le Random (14 Jan 2024, 65 min). Chapter 5’s episode. Apple Podcasts · Spotify