Generative Art Timeline · Chapter 6: Personal Computer Era (1980s)

1989

Beyond Computer Art by Brian Reffin Smith

Publication

Brian Reffin Smith's Text Text Piece, hung in the SIGGRAPH '89 art show: two columns of dense typescript flanking a band of orange and yellow marks, headed by a line of blocky computer lettering. It is a work by the author of 'Beyond Computer Art', not the essay.
Brian Reffin Smith's Text Text Piece, hung in the SIGGRAPH '89 art show: two columns of dense typescript flanking a band of orange and yellow marks, headed by a line of blocky computer lettering. It is a work by the author of 'Beyond Computer Art', not the essay. Brian Reffin Smith, Text Text Piece, 1988. Ink on paper, 8.25 x 11.75 in. Shown in the SIGGRAPH 1989 Art Show. ACM SIGGRAPH History Archives.

In an honest but heartbreaking article, Brian Reffin Smith’s philippic against computer art presented a devastating case against the entire movement that Smith helped pioneer. The text criticizes the state of computer art, arguing that it is often outdated, commercially driven and lacking true artistic significance. Smith points out that much of what is labeled as “computer art” is actually graphic design created for non-artistic purposes. The text highlights a disconnect between the computer art world and traditional art institutions, with galleries and critics often dismissing it. The author acknowledges some improvement in computer art but contends that it remains isolated from contemporary art problems and lacks genuine innovation. Calling for a more honest evaluation of computer art, the text also demands a focus on teaching the importance of ideas over technical aspects, and a shift towards creating computer art that challenges conventions and incorporates critical discourse. Smith encourages artists to explore the interactive capabilities of computers and produce work that transcends the need for technological justification. The conclusion emphasizes the need for courage and innovative ideas to truly advance computer art beyond its current limitations.

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Brian Reffin Smith

Movements

computer art

Filed under

Ideas
art criticism, commercialism, gatekeeping, graphic design, institutions, interactivity, legitimacy, pedagogy, terminology
Technologies
computer art
People
Brian Reffin Smith
Works
Beyond Computer Art

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