Generative Art Timeline · Chapter 9: AI Era (2010s)

2019

CODED FIELD by Rhizomatiks

Event · Japan

A dancer dressed in white is lit blue on a circular platform amid glowing balloon-like devices, with Tokyo Tower behind the night performance.
CODED FIELD, 2019. Performance with light and sound at Zojoji Temple and Shiba Park, Tokyo, November 16, 2019. Rhizomatiks / ELEVENPLAY. Technical and creative direction: Daito Manabe and Motoi Ishibashi; stage direction and choreography: MIKIKO. Photograph: Mao Yamamoto. Source: Rhizomatiks. Image source.

This large-scale Rhizomatiks installation and dance performance, with technical and creative direction by Daito Manabe and choreography by MIKIKO, was held at the Tokyo FESTIVAL. Situated in Tokyo’s Shiba district, the project interweaves light and sound at the Daihonzan Zojoji Temple. There, architectural and topographical data were coded into a virtual space, which was then translated into dynamic light and sound emitted by balloon-shaped devices. Audience movements influenced these devices, creating an interactive experience. The work—like much in this decade—showcases many of the forebearers of digital art, including lumino-kinetic sculpture, participation and gernativity.

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Daito Manabe, MIKIKO

Movements

Installation Art, light art, Lumino-Kinetic Art, Audiovisual Performance

Filed under

Ideas
audience participation, dance, generative art, Installation Art, Interactive Art, interactivity, light art, Lumino-Kinetic Art, performance
Technologies
kinetic sculpture
People
Daito Manabe, MIKIKO
Works
CODED FIELD
Exhibitions
Coded: Art Enters the Computer Age, 1952–1982
Organisations
Rhizomatiks, Tokyo Festival
Places
Japan, Shiba district, Tokyo, Zojoji Temple

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