Generative Art Timeline · Chapter 9: AI Era (2010s)

2010

Desire of Codes, Seiko Mikami

Artwork, Exhibition · Japan

Desire of Codes, Seiko Mikami
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Seiko Mikami’s interactive installation Desire of Codes premiered at the Yamaguchi Center for Arts and Media (YCAM), critically merging human sensory perceptions with digital surveillance technology to reflect on the pervasive encoding in an information-oriented society. The installation featured wall-mounted sculptures made of human skin-like silicone engraved with barcodes, which moved in response to audience movement, visualizing the intimate and often unseen interactions between human behavior and digital tracking systems. Enhanced with a matrix of sensors, mini light spots, and surveillance cameras, the artwork dynamically mapped visitor movements, illustrating the blurriness between organic human identities and digital data profiles. This exhibition not only underscored Mikami’s long-standing themes around the integration of technology with human corporeal form but also served as a poignant commentary on privacy, desire and control in a digital age, positioning her as a pivotal figure in contemporary media art. The work anticipates the body-surveillance work of contemporaneous digital artists such as Operator.

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Seiko Mikami

Movements

Interactive Art, Installation Art, New Media Art

Filed under

Ideas
control, desire, identity, interactivity, privacy, surveillance
Technologies
barcodes, sensors, silicone, surveillance cameras
People
Seiko Mikami
Works
Desire of Codes
Organisations
Operator, Yamaguchi Center for Arts and Media (YCAM)
Places
Japan, Yamaguchi

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