Generative Art Timeline · Chapter 4: Digital Era (1960s)

1961

Dragons Emerging from the Forest by Kazuo Shiraga

Artwork · Japan

A detail of a Kazuo Shiraga canvas in which the prints and drags of the artist's bare feet are visible in the wet red paint — the rope-and-body method that produced Dragons Emerging from the Forest.
A detail of a Kazuo Shiraga canvas in which the prints and drags of the artist's bare feet are visible in the wet red paint — the rope-and-body method that produced Dragons Emerging from the Forest. Detail of a painting by Kazuo Shiraga showing the traces of the artist's feet. Photograph by Jean-Marc Bottazzi, Wikimedia Commons, CC BY-SA 4.0.

This work by a key member of the Japanese Gutai movement serves as an example of their groundbreaking use of chance. Shiraga swung, slipped and spun back and forth from a rope attached to the ceiling with wet oil paint on his feet. As he swung, his feet would come in contact with the canvas on the floor, creating the piece. This could be considered a work of material generative art with the rope-swing-body-paint-motion combination forming the autonomous system.

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Kazuo Shiraga

Movements

Chance Art, Gutai, Material Generative Art

Filed under

Ideas
autonomy, chance, Chance Art, embodiment, Material Generative Art, painting, performance
People
Kazuo Shiraga
Works
Dragons, Dragons Emerging from the Forest
Organisations
Gutai
Places
Japan

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