Generative Art Timeline · Chapter 4: Digital Era (1960s)

1965

Five Screens with Computer by Gustav Metzger

Artwork

Metzger’s model for Five Screens with Computer: five upright steel plates standing on a steel base, the maquette for the computer-controlled auto-destructive monument.
Metzger’s model for Five Screens with Computer: five upright steel plates standing on a steel base, the maquette for the computer-controlled auto-destructive monument. Gustav Metzger, Five Screens with Computer, model, steel, 7.2 × 44.4 × 30.9 cm. © Generali Foundation Collection — Permanent Loan to the Museum der Moderne Salzburg. Photo: Werner Kaligofsky.

Hearing the words “five screens with computer” today, our minds automatically think of a laptop or desktop computer’s “screen” or digital display. As such screens did not exist in 1965, this piece’s “five screens” were actually “made of stainless steel, about thirty feet high, forty feet long and three feet deep,” according to Gustav Metzger himself in the Cybernetic Serendipity catalog. In this unrealized project, a computer would eject the screens’ elements one by one until the site was empty, a process that would take ten years. This “auto-destructive” art was a critique of the “rationalism” of computers and technology and backlash to their militaristic roots.

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Gustav Metzger

Movements

Anti-Technology Art, computer art, generative art, Material Generative Art

Filed under

Ideas
Anti-Technology Art, generative art, Material Generative Art, militarism, process, technology critique
Technologies
Auto-destructive art, computer art, cybernetics
People
Gustav Metzger
Works
Five Screens with Computer
Exhibitions
Cybernetic Serendipity

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