Generative Art Timeline · Chapter 7: Net Era (1990s)

1999

Frankensteinian Methods for Evolutionary Music Composition by Peter Todd and Gregory Werner

Publication · North America

The front cover of Musical Networks, the MIT Press volume in which Peter Todd and Gregory Werner's chapter Frankensteinian Methods for Evolutionary Music Composition appeared.
The front cover of Musical Networks, the MIT Press volume in which Peter Todd and Gregory Werner's chapter Frankensteinian Methods for Evolutionary Music Composition appeared. Cover of Musical Networks: Parallel Distributed Perception and Performance, ed. Niall Griffith and Peter M. Todd (Cambridge, MA: MIT Press, 1999). Open Library.

This book chapter, “Frankensteinian Methods for Evolutionary Music Composition,” by Peter Todd and Gregory Werner looks at co-evolutionary techniques in music composition. The pair aimed to create intelligent algorithmic music composition systems, inspired by the story of Frankenstein. The duo explains in their own words:

”[Our] approach involves separate populations of critic agents and composer agents, striving to establish a consistent aesthetic within a simulated culture. However, while their method yielded a coherent aesthetic, it often diverged from human sensibilities.”

In other words, they created a novel, cybernetic-feedback loop method for refining musical compositions that combined rules, learning and evolution, published in Musical Networks (MIT Press, 1999).

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Gregory Werner, Peter Todd

Movements

Evolutionary Art, Generative Music, Machine Learning Art

Filed under

Ideas
aesthetics, Computer Music, music, simulation
Technologies
artificial intelligence, cybernetics, evolutionary algorithms, evolutionary music composition
People
Gregory Werner, Peter Todd
Works
Frankensteinian Methods for Evolutionary Music Composition, Musical Networks
Organisations
MIT Press

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