Generative Art Timeline · Chapter 3: Analog Era (1950s)

1951

Jikken Kobo Begins

Event · Japan

A 1954 group portrait of the Jikken Kōbō members in a Tokyo courtyard — fourteen figures in winter coats, three years after the collective formed.
A 1954 group portrait of the Jikken Kōbō members in a Tokyo courtyard — fourteen figures in winter coats, three years after the collective formed. Members of Jikken Kōbō (Experimental Workshop), 1954. Via Monoskop.

Meaning “Experimental Workshop” in English, Jikken Kobo was a radically experimental Japanese art collective, with a highly Deleuzian approach to art and the technology of the time. They created groundbreaking works that integrated technology, music, performance and visual art, using electronic devices and new media to create innovative and immersive experiences for their audiences. At the time in the early ’50s, this was one of the most radical art movements in the world.

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Gilles Deleuze

Movements

New Media Art

Filed under

Ideas
collectivity, experimentation, Immersive Art, music, New Media Art, performance, Technology and Art
People
Gilles Deleuze
Organisations
Jikken Kobo, Jikken Kōbō
Places
Japan, Tokyo

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