Generative Art Timeline · Chapter 10: On-Chain Era (2020s)

2022

Menstrualverse by Sputniko!

Event · Women Artists

A virtual avatar in white clothing wears a metallic waist device, with a red stain on the clothing, against a purple star-filled environment in Menstrualverse.
Sputniko!, Menstrualverse, 2022. Still reproduced for Art & New Ecology at Tokyo University of the Arts. Sputniko!. Image source: Art & New Ecology, Tokyo University of the Arts, 2022. Image source.

Sputniko!’s Menstrualverse challenges the representation of gender in virtual realities by introducing the artists’s famed Menstruation Machine (2010 and found on this Ttimeline) as a wearable avatar accessory in Decentraland. The wearable enabled users to publicly perform menstruation in the Metaverse so as not to transpose its taboo from physical to virtual worlds. Ironically, these attempts to expand gender expression, resulted in the wearable being rejected by Decentraland due to safety and age standards. Menstrualverse raises critical questions about identity, autonomy and the future of bodily performance in digital spaces, harkening back to the questions and ideas of artists such as Copper Giloth and Rebecca Allen. The work questions whether the Metaverse will reflect or erase biological realities—and their prejudiced taboos.

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Copper Giloth, Hiromi Ozaki (Sputniko!), Rebecca Allen

Movements

Performance Art, feminism

Filed under

Ideas
autonomy, censorship, embodiment, gender, identity, performance, taboo
Technologies
metaverse, wearables
People
Copper Giloth, Hiromi Ozaki (Sputniko!), Rebecca Allen
Works
Menstrualverse, Menstruation Machine
Organisations
Decentraland

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