Generative Art Timeline · Chapter 5: Artist-Programmer Era (1970s)
1970s
Molnár’s Paris: CIRCE, the Orsay Computing Centre

After finally accessing her machine réelle, Vera Molnár could no longer be without it. She had no official role at CIRCE, the computing centre in Orsay, but its director let her use leftover machine time on evenings and weekends: an IBM System/370 mainframe computer, its IBM 2250 screen and a Benson drum plotter. Most of her plotter work from the 1970s was created here, “shrunk in a corner, the last in line,” as she told Hans Ulrich Obrist. The now-legendary sprocket-holed sheets carry the machine’s stamp: a date code, the hour of calculation and “JOB FROM MOLNAR.” The Molnárs wrote the Molnart program together, in Fortran.
Text by Peter Bauman. Generative Art Timeline, Le Random.
Sources
People
François Molnár, Hans Ulrich Obrist, Vera Molnár
Movements
computer art, Plotter Art
Filed under
- Technologies
- computer art, Molnart, plotter, Plotter Art
- People
- François Molnár, Hans Ulrich Obrist, Vera Molnár
- Organisations
- IBM
- Places
- Paris
Related moments
Le Random editorials
- Molnár's Paris, Peter Bauman, February 26, 2024
- Hans Ulrich Obrist on Exhibitions as Living Organisms, Peter Bauman, September 1, 2025
- Degrees of Disruption: Vera Molnár at the V&A, Peter Bauman, October 16, 2026
Le Random podcast
- Timeline Ch 5—Artist-Programmer Era (1970s) with Joan Truckenbrod, Hans Dehlinger & Anika Meier — listen with transcript on Le Random (14 Jan 2024, 65 min). Chapter 5’s episode. Apple Podcasts · Spotify