Generative Art Timeline · Chapter 2: Modern Era (1850–1949)

1948

Molnár’s Paris: Vera and Francois Molnár Marry and Find Studio Space

Event · Europe

Vera Molnár photographed in 1996 — a portrait of the subject; no image of the Molnárs' 1948 caretaker's lodge and studio at Ermont-Eaubonne could be found.
Vera Molnár photographed in 1996 — a portrait of the subject; no image of the Molnárs' 1948 caretaker's lodge and studio at Ermont-Eaubonne could be found. Vera Molnár, 1996. Still from the Encyclopédie audiovisuelle de l'art contemporain, uploaded by Wikimedia Commons user Pantalaskas, CC BY-SA 3.0.

Married and now named Vera Molnár, the young couple left their Parisian hotel to live with her affluent Franco-Hungarian family in the suburbs of Ermont-Eaubonne. The newlywed couple spent a year living in a small caretaker’s lodge on the property. The Molnárs had access to a studio on the estate, which delighted the young artists and made their visiting artist friends extremely jealous. This idyllic situation, however, would not last long, as a minor family scandal forced them to relocate. It was around this time in the late ’40s that Vera began experimenting with abstraction, after encountering the work of Albrecht Dürer.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Albrecht Dürer, François Molnár, Vera Molnár

Movements

generative art

Filed under

Ideas
abstraction, biography, family, generative art
People
Albrecht Dürer, François Molnár, Vera Molnár
Places
Ermont-Eaubonne, Hungary, Paris

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