Generative Art Timeline · Chapter 6: Personal Computer Era (1980s)

1989

Roman Verostko, Carnival, Pathway Series

Artwork · North America

Roman Verostko's Carnival from the Pathway Series: a drift of thousands of fine coloured pen strokes overlaid with a single looping brushstroke drawn by a plotter fitted with a Chinese brush, punctuated by small colour bars and two red seal marks.
Roman Verostko's Carnival from the Pathway Series: a drift of thousands of fine coloured pen strokes overlaid with a single looping brushstroke drawn by a plotter fitted with a Chinese brush, punctuated by small colour bars and two red seal marks. Roman Verostko, Carnival, Pathway Series, 1989. Ink on paper, 36 x 24 in. ACM SIGGRAPH History Archives.

Carnival, an exquisite work from Verostko’s Pathway Series, represents a five-decade exploration of unseen worlds. Verostko pioneers the convergence of software form-generators and fine-arts practice, rooted in the legacy of early twentieth-century abstraction. He creates visual worlds by combining computational precision with artistic contemplation using BASIC and DM/PL, Houston Instrument’s Digital Microprocessor Plotting Language. A “fine art form generator,” as Verostko referred to his algorithms, serves as a biological genotype in his methodology, encoding the information for form generation. Verostko’s works, created with a multipen plotter, reveal a meticulous dance of thousands of lines, with each pen change and occasional brush stroke orchestrated by software. As Verostko’s art transcends intentional representation, titles are arbitrary, reminiscent of labeling flowers. Instead, he intends for each piece to unfold as a unique journey into uncharted territories. These visual manifestations honor the dynamic processes that underpin their creation, inviting viewers to savor the mystery of coded procedures that result in unexpected grace and beauty.

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Roman Verostko

Movements

computer art

Filed under

Ideas
abstraction, Algorithmic Art, generative systems, mark making, plotting, process
Technologies
algorithms, BASIC, computer art, DM/PL, Houston Instruments plotter, plotter, Plotter Art
People
Roman Verostko
Works
Carnival, Pathway Series
Exhibitions
Coded: Art Enters the Computer Age, 1952–1982
Organisations
Houston Instrument
Places
Houston

Echoes across time

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