Generative Art Timeline · Chapter 8: Tooling Era (2000s)

2005

Seven Easy Pieces by Marina Abramović at the Guggenheim

Exhibition · North America · Women Artists

Marina Abramović lies on a metal platform above lit candles during Seven Easy Pieces.
Marina Abramović, Seven Easy Pieces, Solomon R. Guggenheim Museum, New York, November 9–15, 2005. Photograph: Kathryn Carr; Solomon R. Guggenheim Museum Image source.

In November 2005, Marina Abramović presented Seven Easy Pieces at the Solomon R. Guggenheim Museum in New York. This exhibition featured seven consecutive nights of performance, reenacting legendary works by pioneering performance artists alongside one of Abramović’s own pieces. Each night, from 5 pm to 12 am, she explored various themes, from physical limits to intimate connections with the audience. The performances included Bruce Nauman’s Body Pressure, Vito Acconci’s Seedbed and Joseph Beuys' How to Explain Pictures to a Dead Hare, showcasing a range from provocative intimacy to physical endurance and pain. This work from Abramović carries on the tradition of Fluxus artists and can be seen as performative generative art.

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Bruce Nauman, Joseph Beuys, Marina Abramović, Vito Acconci

Movements

Fluxus, Performance Art

Filed under

Ideas
generative art, performance, Performance Art, reenactment
People
Bruce Nauman, Joseph Beuys, Marina Abramović, Vito Acconci
Works
Body Pressure, How to Explain Pictures to a Dead Hare, Seedbed, Seven Easy Pieces
Organisations
Fluxus, Solomon R. Guggenheim Museum
Places
New York

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