Generative Art Timeline · Chapter 8: Tooling Era (2000s)
2005
Seven Easy Pieces by Marina Abramović at the Guggenheim

In November 2005, Marina Abramović presented Seven Easy Pieces at the Solomon R. Guggenheim Museum in New York. This exhibition featured seven consecutive nights of performance, reenacting legendary works by pioneering performance artists alongside one of Abramović’s own pieces. Each night, from 5 pm to 12 am, she explored various themes, from physical limits to intimate connections with the audience. The performances included Bruce Nauman’s Body Pressure, Vito Acconci’s Seedbed and Joseph Beuys' How to Explain Pictures to a Dead Hare, showcasing a range from provocative intimacy to physical endurance and pain. This work from Abramović carries on the tradition of Fluxus artists and can be seen as performative generative art.
Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.
Sources
People
Bruce Nauman, Joseph Beuys, Marina Abramović, Vito Acconci
Movements
Fluxus, Performance Art
Filed under
- Ideas
- generative art, performance, Performance Art, reenactment
- People
- Bruce Nauman, Joseph Beuys, Marina Abramović, Vito Acconci
- Works
- Body Pressure, How to Explain Pictures to a Dead Hare, Seedbed, Seven Easy Pieces
- Organisations
- Fluxus, Solomon R. Guggenheim Museum
- Places
- New York
Echoes across time
- 1959 · 18 Happenings in 6 Parts by Allan Kaprow
- 1961 · George Maciunas’s Bread & AG Opens in New York, the First Fluxus Event
- 1952 · Birth of Neo-Dada
Le Random editorials
- Marina Abramović on New Possibilities, Peter Bauman, June 2, 2025
- Mona Lisa to monogrid, Peter Bauman, March 6, 2024
- Il(Lumina)ting Marfa, Nathaniel Stern, October 12, 2023
Le Random podcast
- Timeline Ch 8—Tooling Era (2000s) with Christiane Paul, Casey Reas, Christa Sommerer & Golan Levin — listen with transcript on Le Random (15 May 2024, 64 min). Chapter 8’s episode. Apple Podcasts · Spotify