Generative Art Timeline · Chapter 3: Analog Era (1950s)

1955

The Term Artificial Intelligence Is Coined

Publication · North America · Top Moment

Ray Solomonoff's own fanned copies of the Dartmouth documents, with the title page of “A Proposal for the Dartmouth Summer Research Project on Artificial Intelligence” — the August 1955 typescript that coined the term — visible beneath Shannon's proposal and above Newell and Simon's plans.
Ray Solomonoff's own fanned copies of the Dartmouth documents, with the title page of “A Proposal for the Dartmouth Summer Research Project on Artificial Intelligence” — the August 1955 typescript that coined the term — visible beneath Shannon's proposal and above Newell and Simon's plans. Ray Solomonoff's copies of the Dartmouth proposals, 1955–56. Ray Solomonoff Dartmouth papers, raysolomonoff.com.

John McCarthy coined the term “artificial intelligence” in a proposal for a Dartmouth College study written with Marvin Minsky (Harvard University), Nathaniel Rochester (IBM) and Claude Shannon (Bell Telephone Laboratories). According to the proposal, “the study is to proceed on the basis of the conjecture that every aspect of learning or any other feature of intelligence can in principle be so precisely described that a machine can be made to simulate it.” The proposal also included an early hypothesis on the connection between randomness, intuition and creativity: “A fairly attractive and yet clearly incomplete conjecture is that the difference between creative thinking and unimaginative competent thinking lies in the injection of some randomness. The randomness must be guided by intuition to be efficient. In other words, the educated guess or the hunch include controlled randomness in otherwise orderly thinking.” The workshop took place the following year and is considered the official beginning of the field.

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Claude Shannon, John McCarthy, Marvin Minsky, Nathaniel Rochester

Movements

Chance Art, computer art, generative art

Filed under

Ideas
chance, Chance Art, computational creativity, creativity, generative art, intuition, randomness
Technologies
artificial intelligence, Claude, computer art
People
Claude Shannon, John McCarthy, Marvin Minsky, Nathaniel Rochester
Organisations
Bell Labs, Dartmouth College, Harvard University, IBM

Related moments

Echoes across time

Le Random editorials

Explore all Le Random editorials and artist interviews

Le Random podcast