Generative Art Timeline · Chapter 9: AI Era (2010s)
2018
uumwelt by Pierre Huyghe

Pierre Huyghe’s exploration of early AI technology at the Serpentine Galleries involved a transformative and autonomous art installation based on MRI scans, live animals and intense audience interaction. Huyghe used fMRI technology to capture the brain activity of an individual imagining selected images. This data was processed by a deep neural network attempting to reconstruct the images, resulting in continuously evolving visual representations displayed on large LED screens. The exhibition’s environment was dynamic, influenced by sensors detecting light, temperature, humidity, the presence of insects and even visitors' gazes. Live flies living in the gallery created unique patterns, and the space constantly morphed, embodying an ecosystem where human, animal and technological elements interacted unpredictably, reflecting Huyghe’s vision of art as a self-presenting ritual.
Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.
Sources
People
Movements
Material Generative Art
Filed under
- Ideas
- autonomy, cognition, ecology, ecosystem, emergence, Immersive Art, Installation Art, liveness, Machine Learning Art, machine perception, Material Generative Art, perception, posthumanism, ritual
- Technologies
- artificial intelligence, deep image reconstruction, deep learning, fMRI, LED screen, MRI, neural networks, sensors
- People
- Pierre Huyghe
- Exhibitions
- UUmwelt
- Organisations
- Serpentine
Echoes across time
- 1997 · Galapagos by Karl Sims
- 1968 · Computer Graphic Exhibition at Brno House of Arts
- 1982 · L’Art et l’ordinateur in Paris
Le Random editorials
- Cognitive Technologies, Brian Droitcour, August 11, 2025
- AA Cavia on Summoning Worlds, Peter Bauman, October 20, 2025
Le Random podcast
- Timeline Ch 9—AI Era (2010s) with Tyler Hobbs, Helena Sarin, Rhea Myers & Gene Kogan — listen with transcript on Le Random (30 Jul 2024, 51 min). Chapter 9’s episode. Apple Podcasts · Spotify