Generative Art Timeline · Chapter 3: Analog Era (1950s)

1952

Abstronic by Mary Ellen Bute

Artwork · All-Time Moment · Top Moment · Women Artists

Mary Ellen Bute observing an image on the oscilloscope screen whose knobs and switches she used to “draw with a beam of light” for Abstronic (1952).
Mary Ellen Bute observing an image on the oscilloscope screen whose knobs and switches she used to “draw with a beam of light” for Abstronic (1952). Mary Ellen Bute / Ted Nemeth. Collection of Center for Visual Music, Los Angeles.

Pioneering work of abstract electronic animation Using an oscilloscope, Bute was the creator of some of the earliest electronically generated images. In 1952, she created the landmark experimental film Abstronic, (a portmanteau of the words “abstract” and “electronic”). Her abstract animations anticipated the upcoming aesthetic language of computer art by incorporating Lissajous curves and geometric abstraction. Bute was captivated by the proposition of drawing with light. She revealed that with only knobs and switches “I can ‘draw’ with a beam of light with as much freedom as with a brush.” In fact, she “would rather use light to draw with instead of making thousands of drawings.” Bute was one of the first people in history to recognize that when a human and electronic instrument collaborate, “the creative possibilities are limitless.”

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Mary Ellen Bute

Movements

computer animation, computer art, generative art, Oscillographic Art

Filed under

Ideas
animation, drawing, film, generative art, Geometric Abstraction, human machine collaboration, light
Technologies
computer animation, computer art, Lissajous figures, oscilloscope
People
Mary Ellen Bute
Works
Abstronic, Electronic Art, Visual Music Orchestration

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