Generative Art Timeline · Chapter 3: Analog Era (1950s)

1951

Around Is Around by Norman McLaren

Artwork · Europe

A frame from Around Is Around showing one of the Lissajous figures McLaren and Evelyn Lambart photographed directly off an oscilloscope screen.
A frame from Around Is Around showing one of the Lissajous figures McLaren and Evelyn Lambart photographed directly off an oscilloscope screen. Norman McLaren, Around Is Around, 1951. © National Film Board of Canada.

A pioneering work in the development of proto-computer abstract animation, Around Is Around, made with Evelyn Lambart and Chester Beachell, is a ten-minute long animated film that was groundbreaking for its time. It used an oscilloscope to produce certain abstract images, one the first published animations to do so.

The British Film Institute expounds:

“This experiment blazes so many trails that we need to list them before considering which is merely a picturesque by-path, and which may be expected to lead some where. Among the more important novelties exemplified are:

(i) Three-dimensional abstract form. (ii) Abstract form plus stereophonic music. (iii) Abstract form produced from hand-drawn track photographed frame-by-frame. (iv) Abstract form produced by normal-speed cinematography. (v) Three-dimensional form produced by synthesis from a series of two-dimensional images.”

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Chester Beachell, Evelyn Lambart, Norman McLaren

Movements

Analog Computer Art, computer animation, Oscillographic Art

Filed under

Ideas
Analog Computer Art, film
Technologies
computer animation, oscilloscope, stereoscopic 3D
People
Chester Beachell, Evelyn Lambart, Norman McLaren
Works
Around Is Around, Visual Music Orchestration
Organisations
British Film Institute

Echoes across time

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