Generative Art Timeline · Chapter 10: On-Chain Era (2020s)

2021

IGÚN by Minne Atairu

Event · Europe · Women Artists

A dark synthetic Benin ceremonial head with a patterned crown, shown against a pale background in IGÚN.
Minne Atairu, IGÚN, 2021 Lumen Prize Global South Award winner. Still from the project’s GAN latent-space interpolation, as documented by Lumen. Minne Atairu. Source: The Lumen Prize, Global South Award Winner 2021. Image source.

This Lumen Global South Award Winner from 2021 is a generative art project that employs GANs to reimagine the lost bronze casting traditions of the Benin Kingdom, disrupted by the British invasion of 1897. Using datasets of looted ceremonial heads and other artifacts, Atairu creates AI-generated interpolations that explore the cultural and artistic absence inflicted by colonialism and its lasting scars. This mixed media collection also demonstrates the trend of how AI elements in art may eventually become ubiquitous. In addition to GANs, the work utilizes AR and 3D printing, reconstructing and reinterpreting these historical objects with the latest technology. IGÚN offers a dynamic vision that bridges past and present, while raising awareness of cultural restitution and historical memory. The project is a powerful demonstration of how systems thinking can be supplemented by AI to produce enduring artistic statements.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Minne Atairu

Movements

Machine Learning Art, generative art

Filed under

Ideas
colonialism, cultural restitution, memory, systems thinking
Technologies
3D printing, AR, artificial intelligence, bronze casting, GANs, Mixed Media
People
Minne Atairu
Works
IGÚN
Organisations
Lumen Prize
Places
Benin Kingdom, Britain, Global South

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