Generative Art Timeline · Chapter 1: Pre-Modern Era (Pre-1850)

1783

Karl Gottlieb von Windisch Publishes Inanimate Reason

Publication · Europe

A copperplate engraving of Kempelen's chess-playing automaton, the Turk, seated at its cabinet.
A copperplate engraving of Kempelen's chess-playing automaton, the Turk, seated at its cabinet. Engraving of Wolfgang von Kempelen's chess player from Karl Gottlieb von Windisch, Briefe über den Schachspieler des Hrn. von Kempelen (1783). Wikimedia Commons.

We've been trying to make human-like machines for centuries.

In 1783 Karl Gottlieb von Windisch published letters describing exactly such a thing: a chess-playing automaton built by his friend Wolfgang von Kempelen for the Habsburg court in the decade prior. The machine, a life-size figure in Turkish dress seated at a cabinet, beat many challengers across Europe. Windisch's book, issued in German and French immediately and in English the next year as Inanimate Reason, praised it without claiming to know how it worked: “'Tis a deception! granted; but such an one as does honor to human nature.”

The deception was apparently a strong human player hidden inside, which Edgar Allan Poe argued in his 1836 essay “Maelzel's Chess-Player.”

Text by Peter Bauman. Generative Art Timeline, Le Random.

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artificial intelligence

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Technologies
Automata
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chess automaton, Edgar Allan Poe, Karl Gottlieb von Windisch, Mechanical Turk, Wolfgang von Kempelen

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