Generative Art Timeline · Chapter 4: Digital Era (1960s)

1960

Karl Otto Götz Manually Anticipates Digital Generative Art

Artwork

Karl Otto Götz Manually Anticipates Digital Generative Art
K.O. Götz's Kinetic Electronic Painting and the Imagined Affordances of Television - Scientific Figure on ResearchGate. Available from: researchgate.net [accessed 7 Apr, 2023]

Karl Götz’s Statistisch-metrische Modulation (Statistical-metrical Modulation) is a series of hand-drawn Raster Pictures of 2 x 2 cm black and white squares on pieces of variously-sized cardboard. Götz was fascinated by the dematerialization of the art object that computers were enabling. He believed this was a paradigm shift. Statistisch-metrische Modulation was an attempt to explore this digital aesthetic (manually) before it was possible electronically. But Götz could clearly see what was coming: “When one thinks how much ‘easier,’ or less taxing, it would be to realize such [raster] pictures electronically, that is to say, that they would appear on the screen. It is obvious that these technical means will be used”(1963).

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Karl Otto Götz

Movements

generative art

Filed under

Ideas
abstraction, dematerialization, drawing, generative art, geometry, Material Generative Art, pattern, seriality, statistics
People
Karl Otto Götz
Works
Raster Pictures, Statistisch-metrische Modulation
Organisations
Raster

Echoes across time

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