Generative Art Timeline · Chapter 6: Personal Computer Era (1980s)

1983

Water Tower, Verviers, Belgium by Bernd and Hilla Becher

Artwork · Europe · Women Artists

Black-and-white photograph of a spherical water tank raised on a tapered concrete tower, framed by low trees and an overcast sky.
Bernd and Hilla Becher, Water Tower, Verviers, Belgium, 1983. Gelatin silver print. Bernd and Hilla Becher. The Metropolitan Museum of Art, New York. Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1992 (1992.5009). © Bernd and Hilla Becher. Reproduced in Yale University Press’s Spring 2022 catalogue, p. 32. Image source.

German photographers Bernd and Hilla Becher have been instrumental in carrying on the twentieth-century Bauhaus tradition of the geometric aesthetic. Over the course of several decades, the couple photographed European and North American water towers. Their updated portrayal of the Bauhaus aesthetic was both a celebration of the rigidity of form but also commented on the idealistic promise of the Bauhaus with scenes of dilapidation. They developed the “Becher School” style, emphasizing objective, serial imagery, which anticipates the long-form generative art collections of today.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Bernd Becher, Hilla Becher

Movements

Bauhaus

Filed under

Ideas
industrial architecture, photography, seriality, typology
Technologies
long-form generative art
People
Bernd Becher, Hilla Becher
Works
Water Tower, Verviers, Belgium
Organisations
Bauhaus, Becher School
Places
Belgium, Europe, Germany, Verviers

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