Generative Art Timeline · Chapter 8: Tooling Era (2000s)

2006

Academy by R. Luke DuBois

Artwork · Europe

A black-and-white Academy video still merges film imagery into translucent vertical traces inside a black border.
R. Luke DuBois, Academy, 2006. Still from the video artwork, reproduced in bitforms gallery’s exhibition archive. R. Luke DuBois. Image source: bitforms gallery, R. Luke DuBois & Björn Schülke exhibition archive on CONTXT. Image source.

As included in Casey Reas’s course 50 Years of Software Artists at UCLA as a standout example of computer film, specifically digital video, Academy compresses seventy years of film history into the length of a seventy-six-minute film. Presented at the 2007 Sundance Film Festival, the piece takes the first seventy-five years of Oscar-winning Best Picture films from the Academy of Motion Picture Arts and Sciences and condenses each into a single minute per film, displayed in chronological order. DuBois uses frame-averaging and time-lapse phonography to distill each film’s essence, allowing viewers to observe the evolution of cinematic techniques and themes over decades. Academy challenges our perceptions of film history and canon by asking questions about the implications of the digital on film, expressed through digital media itself.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Casey Reas, R. Luke DuBois

Movements

Computer Film, digital art, video art

Filed under

Ideas
Computer Film, digital art, film history, video art
Technologies
Digital Video, frame averaging, time-lapse phonography
People
Casey Reas, R. Luke DuBois
Works
50 Years of Software Artists, Academy
Organisations
Academy of Motion Picture Arts and Sciences, Sundance Film Festival, UCLA

Echoes across time

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