Generative Art Timeline · Chapter 4: Digital Era (1960s)

1965

Computer-Produced Movies by Kenneth C. Knowlton

Publication · North America

A frame from Kenneth Knowlton’s Bell Labs film A Computer Technique for the Production of Animated Movies, reading “Instructions for the desired movie enter the computer as a deck of punched cards”.
A frame from Kenneth Knowlton’s Bell Labs film A Computer Technique for the Production of Animated Movies, reading “Instructions for the desired movie enter the computer as a deck of punched cards”. Kenneth C. Knowlton, A Computer Technique for the Production of Animated Movies, 1963, Bell Telephone Laboratories. Image: compArt database Digital Art (dada), University of Bremen.

The article in which Knowlton explains BEFLIX and his early computer animation techniques, which he developed at Bell Labs.

Knowlton writes in the article:

“An automatic, electronic microfilm recorder can plot points and draw lines many orders of magnitude faster than a human draftsman can. This machine and the electronic computer which controls it promise to facilitate the production of animated movies for a wide range educational and research purposes.”

Listen to Peter Bauman’s interview with A. Michael Noll (transcript), where he discusses Knowlton, BEFLIX and the early days at Bell Labs.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Ken Knowlton

Movements

computer animation

Filed under

Ideas
Computer Film
Technologies
BEFLIX, computer animation, computer art, microfilm recorder
People
Ken Knowlton
Works
Computer-Produced Movies
Organisations
Bell Labs

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