Generative Art Timeline · Chapter 6: Personal Computer Era (1980s)

1987

Digital Visions by Cynthia Goodman

Exhibition, Publication · North America · Women Artists

The cover of Cynthia Goodman's Digital Visions: Computers and Art, the book published alongside her 1987 exhibition at the IBM Gallery of Science and Art.
The cover of Cynthia Goodman's Digital Visions: Computers and Art, the book published alongside her 1987 exhibition at the IBM Gallery of Science and Art. Cover of Cynthia Goodman, Digital Visions: Computers and Art (New York: Harry N. Abrams, 1987). Internet Archive.

Cynthia Goodman’s groundbreaking exhibition, Digital Visions, marked a watershed moment in the acceptance of computer-generated art. The touring exhibition, which opened at the Everson Museum of Art in Syracuse, featured a plethora of artworks that explored the intersection of technology and creativity. Goodman’s observation that fine artists were embracing computers with great enthusiasm signaled a departure from previous years' disinterest and outright hostility. This renewed optimism in the 1980s reflected a growing acceptance of digital art, in contrast to a more pessimistic ’70s. This led to additional research and innovation in the field, including at IBM by William Latham who started this same year.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Cynthia Goodman, William Latham

Movements

computer art, generative art

Filed under

Ideas
creativity, digital art, generative art, Technology and Art
Technologies
computer art
People
Cynthia Goodman, William Latham
Exhibitions
Digital Visions
Organisations
Everson Museum of Art, IBM, National Endowment for the Arts
Places
Syracuse

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