Generative Art Timeline · Chapter 4: Digital Era (1960s)

1964

First Piece of Computer Art Criticism by Arnold Rockman and Leslie Mezei

Publication

Cover of Canadian Art, November/December 1964, issue 94, with a colorful children’s nativity display beneath the magazine’s red title.
Cover of Canadian Art, November/December 1964, issue 94, which published Arnold Rockman and Leslie Mezei’s ‘The Electronic Computer as an Artist.’ The cover depicts The Adoration by children at the Montreal Museum Art Centre. Canadian Art, November/December 1964. Cover photograph: LeBrun. Collection image: Ragnar Digital. Image source.

Arnold Rockman, art critic, and Leslie Mezei, computer scientist, together wrote: “the first recognizable piece of computer art criticism. Appearing in Canadian Art and entitled “The Electronic Computer as an Artist.” This seminal article possessed all of the basic elements of art criticism: historical context, stylistic analysis, and, most importantly, evaluative judgment,” according to Grant Taylor. Note from the title of the article, “The Electronic Computer as an Artist,” how even the earliest forms of computer art asked questions about authorship and the computer’s creative role.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Arnold Rockman, Grant Taylor

Movements

computer art

Filed under

Ideas
art criticism, authorship, creativity
Technologies
computer art
People
Arnold Rockman, Grant Taylor
Works
The Electronic Computer as an Artist
Organisations
Canadian Art
Places
Canada
Other subjects
Mezei

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