Generative Art Timeline · Chapter 5: Artist-Programmer Era (1970s)

1975

Mandelbrot Coins the Term Fractal

Invention · North America · Top Moment

Yellow cover of Les objets fractals, with a colorful branching fractal illustration.
Benoît Mandelbrot, Les objets fractals: forme, hasard et dimension, Flammarion’s 2010 Champs sciences edition—a later edition of the book first published in 1975. Benoît Mandelbrot / Flammarion, 2010, ISBN 9782081246171. Cover reproduction: Bibliothèque publique d’information; cover-illustration artist not identified by the library. Image source.

Benoit Mandelbrot coined the term fractal while working at IBM. Using computer generated images to illustrate his mathematically derived concepts, he was consolidating hundred of years of mathematical theory. Fractals, infinitely complex geometric patterns that exhibit self-similarity at various scales, include the Mandelbrot set, created with the iterative process where a specific pattern is repeated again and again. Mandelbrot’s groundbreaking work provided artists with a visual language to explore and create intricate, organic and visually captivating compositions. Fractals became a cornerstone of generative art, inspiring artists to use algorithms and iterative processes to generate complex and evolving imagery. The introduction of fractals revolutionized the aesthetic possibilities in digital art, fostering a deeper appreciation for the beauty of mathematical structures and the integration of science and art in the digital realm.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Benoit Mandelbrot

Movements

generative art

Filed under

Ideas
art and science, complexity, generative art, geometry, mathematics, recursion, self-similarity
Technologies
algorithms, fractals, Mandelbrot set
People
Benoit Mandelbrot
Organisations
IBM

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