Manifesto of Futurism Published by Filippo Tommaso Marinetti

Marinetti’s manifesto called for artists to embrace the aesthetic language of technology and industrialization in their practice. Frank Popper considered Futurism (in addition to Dadaism and Constructivism) the most influential movement in the first quarter of the twentieth century on electronic art. Popper elaborates: “Futurism, besides its exaltation of dynamism and speed, attempted to find abstract equivalents for all the forms and elements in the universe and advocate the fusion of art and science.”