Generative Art Timeline · Chapter 4: Digital Era (1960s)

1960

Music from Mathematics, the First Computer Music Issued on Record

Artwork · North America · Top Moment

A conductor with raised arms stands in front of room-size computers below the red title Music from Mathematics.
Music from Mathematics, Bell Telephone Laboratories album cover, dated 1961 by Morven Museum & Garden. Bell Telephone Laboratories. Album-cover image: Morven Museum & Garden, Ma Bell exhibition. Cover artist and photographer not identified. Image source.

The first commercially issued recording of computer generated music, Music from Mathematics (full album), created by John R. Pierce and Max Mathews at Bell Labs.

This work is not only some of the earliest digital electronic music ever produced, it also some of the earliest digital generative art and digital art, generally.

According to the New York Times:

“While not the first person to make sound with a computer, Max was the first one to do so with a replicable combination of hardware and software that allowed the user to specify what tones he wanted to hear.”

The Times article goes on to add how Mathews’s early attempts to create computer-generated music, “laid the groundwork for a revolutionary advancement in music, the reverberations of which are felt everywhere today.”

Text by Peter Bauman. Generative Art Timeline, Le Random.

People

John R. Pierce, Max Mathews

Movements

computer art, Computer Music, generative art, Generative Music

Filed under

Ideas
Computer Music, digital art, Electronic Music, generative art, Generative Music
Technologies
computer art
People
John R. Pierce, Max Mathews
Works
Music from Mathematics
Organisations
Bell Labs, New York Times

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