Generative Art Timeline · Chapter 4: Digital Era (1960s)
1960
Music from Mathematics, the First Computer Music Issued on Record

The first commercially issued recording of computer generated music, Music from Mathematics (full album), created by John R. Pierce and Max Mathews at Bell Labs.
This work is not only some of the earliest digital electronic music ever produced, it also some of the earliest digital generative art and digital art, generally.
According to the New York Times:
“While not the first person to make sound with a computer, Max was the first one to do so with a replicable combination of hardware and software that allowed the user to specify what tones he wanted to hear.”
The Times article goes on to add how Mathews’s early attempts to create computer-generated music, “laid the groundwork for a revolutionary advancement in music, the reverberations of which are felt everywhere today.”
Text by Peter Bauman. Generative Art Timeline, Le Random.
People
Movements
computer art, Computer Music, generative art, Generative Music
Filed under
- Ideas
- Computer Music, digital art, Electronic Music, generative art, Generative Music
- Technologies
- computer art
- People
- John R. Pierce, Max Mathews
- Works
- Music from Mathematics
- Organisations
- Bell Labs, New York Times
Echoes across time
- 1981 · Plan K International Festival voor Elektronische Muziek, Video en Computer Art in Brussels.
- 1991 · Music and Connectionism, edited by Peter M. Todd and D. Gareth Loy
- 2002 · Doug Eck Advances Neural Network Creative Expression
Le Random editorials
Le Random podcast
- Timeline Ch 4—Digital Era Pt I (1960s) with Dr A Michael Noll — listen with transcript on Le Random (07 Sep 2023, 60 min). Chapter 4’s episode. Apple Podcasts · Spotify
- Timeline Ch 4—Digital Era Pt II (1960s) with Michael Spalter — listen with transcript on Le Random (21 Sep 2023, 77 min). Chapter 4’s episode. Apple Podcasts · Spotify