Generative Art Timeline · Chapter 4: Digital Era (1960s)

1961

Symbols, Signals, and Noise by John R. Pierce

Publication · North America

Symbols, Signals, and Noise by John R. Pierce

This book played an important role in the development of cybernetic theory, stating that “art was clearly a communication phenomenon,” according to Grant Taylor. This echoed Abraham Moles, whose Théorie de l’information et perception esthétique (1958, translated 1966) attempted to objectively formalize communication in art. John R. Pierce also collaborated with Max Mathews at Bell Labs on the earliest electronic music, Music from Mathematics.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Abraham Moles, Grant Taylor, John R. Pierce, Max Mathews

Movements

computer art, generative art

Filed under

Ideas
Electronic Music, generative art, information aesthetics, perception
Technologies
computer art, cybernetics, information theory
People
Abraham Moles, Grant Taylor, John R. Pierce, Max Mathews
Works
Abraham, Music from Mathematics, Symbols, Signals and Noise, Théorie de l'information et perception esthétique
Exhibitions
Information
Organisations
Bell Labs

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