Generative Art Timeline · Chapter 6: Personal Computer Era (1980s)

1986

Woman of War, Lady of the Wild Things by Liliane Lijn

Artwork · Women Artists

Liliane Lijn’s two winged kinetic sculptures face one another in a dark gallery, their prism heads connected by a red laser beam.
Liliane Lijn, Conjunction of Opposites: Lady of the Wild Things and Woman of War, 1986. Installation view, Cosmic Dramas, Rodeo, Piraeus, 2018. Artwork by Liliane Lijn. Photograph: Boris Kirpotin. © Boris Kirpotin, Rodeo Gallery. Source: Liliane Lijn’s artist archive. Image source.

Woman of War (1986) and Lady of the Wild Things (1983) by Liliane Lijn stand as striking testaments to the intersection of art, feminism, performance and computers during this era. Lijn’s computer-controlled, kinetic sculptures made from steel and lasers confront societal norms and gender roles in all fields. Not what comes to mind for many when they think of “computer art,” Lijn’s sculptures feature the dynamism of light, kineticism and symbolism. The pieces challenge viewers to contemplate the complexities of womanhood and the wild, untamed spirit within, hinting that technology could serve as an empowering agent.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Liliane Lijn

Movements

computer art, Lumino-Kinetic Art, Technology and Art

Filed under

Ideas
empowerment, feminism, gender, light, Lumino-Kinetic Art, performance, Performance Art, symbolism, Technology and Art
Technologies
computer art, cybernetics, kinetic art, laser, steel
People
Liliane Lijn
Works
Lady of the Wild Things, Woman of War

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