Generative Art Timeline · Chapter 4: Digital Era (1960s)

1964

Yoko Ono Publishes Grapefruit

Publication · Asia

The cover of a later edition of Grapefruit, with an introduction by John Lennon; the first edition appeared in Tokyo in 1964.
The cover of a later edition of Grapefruit, with an introduction by John Lennon; the first edition appeared in Tokyo in 1964. Cover of Yoko Ono, Grapefruit, later edition with an introduction by John Lennon. Open Library.

One of the greatest and most referenced works of instruction-based art, Grapefruit remains a canonical example of the dematerialized art object popularized at the time by Lucy Lippard.

Ono published the book on July 4, 1964 in Tokyo, itself consisting of instructions for paintings, music, events and objects, printed in an edition of 500. A work such as “Painting to Be Stepped On” exists as a written instruction that anyone can carry out and each performance of it differs.

While perhaps Ono's most well-known work, the conceptual artist had written instruction pieces since the mid-1950s, which sat close to the early Fluxus event scores of George Brecht and La Monte Young.

Artworks as sets of rules executed by others is the principle that later links conceptual art to code and technological art, as explored in “Living Aesthetics: A Grammar of Protocol Art and Worldbuilding”.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Yoko Ono

Movements

instruction art, conceptual art, Fluxus

Filed under

Ideas
conceptual art, instruction art, rules, women artists
People
Yoko Ono
Organisations
Fluxus
Other subjects
event score, Grapefruit

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