Generative Art Timeline · Chapter 9: AI Era (2010s)

2018

All We’d Ever Need Is One Another by Adam Basanta

Artwork

Installation view of the work: machine-generated images hung as prints on the gallery wall behind the desktop computer that runs the scanning system.
Installation view of the work: machine-generated images hung as prints on the gallery wall behind the desktop computer that runs the scanning system. Adam Basanta, All We'd Ever Need Is One Another, 2018. Courtesy of the artist.

This mixed-media AI installation autonomously generates images, embodying a self-sustaining “art factory,” an early example of work employing material, coded and AI-generative techniques. Utilizing two flatbed scanners facing each other, the installation employs a computer script to create random settings and initiate scanning.

Deep-learning algorithms then analyze the images and are “validated as art” if they match existing works by over 83%. These images were shared on social platforms and were occasionally printed live in the gallery. This work explores technological automation, object agency and the economics of art production, reflecting on the continuous, independent creation of cultural artifacts.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Adam Basanta

Movements

Machine Learning Art

Filed under

Ideas
agency, authenticity, authorship, automation, autonomy, creative labor, definition, generative art, Installation Art, Machine Learning Art, Material Generative Art, value
Technologies
algorithms, artificial intelligence, deep learning, flatbed scanners, social media
People
Adam Basanta
Works
All We'd Ever Need Is One Another
Exhibitions
Coded: Art Enters the Computer Age, 1952–1982

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