Generative Art Timeline · Chapter 9: AI Era (2010s)
2018
All We’d Ever Need Is One Another by Adam Basanta

This mixed-media AI installation autonomously generates images, embodying a self-sustaining “art factory,” an early example of work employing material, coded and AI-generative techniques. Utilizing two flatbed scanners facing each other, the installation employs a computer script to create random settings and initiate scanning.
Deep-learning algorithms then analyze the images and are “validated as art” if they match existing works by over 83%. These images were shared on social platforms and were occasionally printed live in the gallery. This work explores technological automation, object agency and the economics of art production, reflecting on the continuous, independent creation of cultural artifacts.
Text by Peter Bauman. Generative Art Timeline, Le Random.
Sources
People
Movements
Machine Learning Art
Filed under
- Ideas
- agency, authenticity, authorship, automation, autonomy, creative labor, definition, generative art, Installation Art, Machine Learning Art, Material Generative Art, value
- Technologies
- algorithms, artificial intelligence, deep learning, flatbed scanners, social media
- People
- Adam Basanta
- Works
- All We'd Ever Need Is One Another
- Exhibitions
- Coded: Art Enters the Computer Age, 1952–1982
Echoes across time
- 1970 · Generación Automática de Formas Plásticas Exhibition at the Centro de Cálculo of the University of Madrid
- 1968 · "On the Path to Computer Art” by the Parallel Group
- 1982 · L’Art et l’ordinateur in Paris
Le Random editorials
Le Random podcast
- Timeline Ch 9—AI Era (2010s) with Tyler Hobbs, Helena Sarin, Rhea Myers & Gene Kogan — listen with transcript on Le Random (30 Jul 2024, 51 min). Chapter 9’s episode. Apple Podcasts · Spotify