Generative Art Timeline · Chapter 6: Personal Computer Era (1980s)

1982

Art and Technology: Chicago Video at MoMA

Exhibition · North America · Women Artists

A still from Copper Giloth's computer animation Skippy Peanut Butter Jars (1980), one of the Chicago works presented in MoMA's 1982 exhibition Art and Technology: Chicago Video.
A still from Copper Giloth's computer animation Skippy Peanut Butter Jars (1980), one of the Chicago works presented in MoMA's 1982 exhibition Art and Technology: Chicago Video. Copper Frances Giloth, Skippy Peanut Butter Jars, 1980. ACM SIGGRAPH History Archives.

This exhibition at MoMA highlighted pioneering collaborations between artists and technology in the 1970s. By showcasing innovative computer-generated video works, it helped establish video art. It highlighted the evolving relationship between art and emerging technologies, providing a platform for experimentation and creative exploration. Artists including Copper Giloth, Dan Sandin, Tom DeFanti and Jane Veeder showed algorithmic imagery and interactive work. The exhibition’s fusion of art and technology catalyzed a mindset that later artists embraced, leading to the exploration of code-based, evolving artworks characteristic of the digital generative art movement.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Copper Giloth, Dan Sandin, Jane Veeder, Tom DeFanti, Woody Vasulka

Movements

video art

Filed under

Ideas
generative art, interactivity, Technology and Art, video art
Technologies
algorithms, computer animation
People
Copper Giloth, Dan Sandin, Jane Veeder, Tom DeFanti, Woody Vasulka
Works
Art and Technology
Exhibitions
Art and Technology: Chicago Video
Organisations
Electronic Visualization Laboratory (EVL), MoMA
Places
Chicago
Other subjects
Vasulka

Echoes across time

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