Generative Art Timeline · Chapter 7: Net Era (1990s)

1993

do it Concept and Catalogue Released

Publication

Visitors gather beside a table of orange do it balloons in an outdoor public space.
do it (museum), Kunsthalle Ritter, 1994; an early presentation of the project conceived in 1993. Independent Curators International; photographer not identified Image source.

All about instruction-based generative art, do it began in 1993 as a conversation and a book of instructions from twelve artists, from which the exhibitions grew. Initiated by Hans Ulrich Obrist in conversation with artists Christian Boltanski and Bertrand Lavier, do it explores the interpretive role of the viewer in generative art, transcending traditional notions of static displays. Each venue hosted unique interpretations, blurring lines between art and daily life. Do it championed audience involvement, fostering dynamic, ever-changing experiences. Unlike conventional exhibitions, it prioritized human interaction over physical artifacts, inviting diverse renditions that engaged with site specificity.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Bertrand Lavier, Christian Boltanski, Hans Ulrich Obrist

Movements

generative art, Material Generative Art, Rules-Based Art, instruction art

Filed under

Ideas
audience participation, conceptual art, dematerialization, generative art, Material Generative Art, Participatory Art, Rules-Based Art, site specificity
People
Bertrand Lavier, Christian Boltanski, Hans Ulrich Obrist
Works
do it
Other subjects
Lavier

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