Generative Art Timeline · Chapter 7: Net Era (1990s)

1995

Electronic Superhighway: Continental U.S., Alaska, Hawaii by Nam June Paik

Artwork · Europe · Top Moment

Nam June Paik's fifty-one-channel video and neon map of the United States, in the Smithsonian American Art Museum's own photograph of the work.
Nam June Paik's fifty-one-channel video and neon map of the United States, in the Smithsonian American Art Museum's own photograph of the work. Nam June Paik, Electronic Superhighway: Continental U.S., Alaska, Hawaii, 1995. Smithsonian American Art Museum, Gift of the artist, 2002.23. © Nam June Paik Estate.

Nam June Paik’s Electronic Superhighway: Continental U.S., Alaska, Hawaii captured the United States’ shift into the information age in the mid-90s with the uncertainty and optimism that entailed. Paik’s work combined neon lights and video screens, illustrating the interconnectedness fostered by the rising Internet. Beyond its celebration of global communication, the piece prompts contemplation of technology’s encroaching cultural impact. The work’s scale evokes feelings of information overload, despite the still relativelyt small size of the mid-90s Internet. This work stands as one of Paik’s most well known, standing as a rare example of media art that garnered widespread attention, capturing the zeitgeist of society’s mid-90s relationship with a history-changing technology.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Alaska, Nam June Paik

Movements

Mass Media Art, video art

Filed under

Ideas
information overload, Mass Media Art, New Media Art, video art
Technologies
cybernetics, Internet, neon, prompts
People
Alaska, Nam June Paik
Works
Electronic Superhighway
Places
Hawaii, United States

Echoes across time

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