Generative Art Timeline · Chapter 3: Analog Era (1950s)

1953

Jikken Kōbō’s Fifth Presentation Introduces the Autoslide Works

Event · Japan

Jikken Kōbō members Hiroyoshi Suzuki and Katsuhiro Yamaguchi photographed in 1953, the year the group made its four synchronised-sound Autoslide pieces with the Tokyo Telecommunications Engineering Corporation (later Sony).
Jikken Kōbō members Hiroyoshi Suzuki and Katsuhiro Yamaguchi photographed in 1953, the year the group made its four synchronised-sound Autoslide pieces with the Tokyo Telecommunications Engineering Corporation (later Sony). Hiroyoshi Suzuki and Katsuhiro Yamaguchi, 1953. Via Monoskop.

As proto-video art, this exhibition was an important precursor to electronic art. It combined experimentally composed music with surrealistic visuals. As told by Jikken Kōbō co-founder, Yamaguchi Katsuhiro: “Asahigraph editor Izawa Tadasu introduced Kōbō to the Tokyo Telecommunications Engineering Corporation (later SONY), which had developed an “autoslide projector,” a slide projector with synchronized sound. The group established a relationship with the company, and the Kōbō members worked together to create an audiovisual piece for this device.”

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Katsuhiro Yamaguchi, Tadasu Izawa

Movements

New Media Art

Filed under

Ideas
music, video art
Technologies
autoslide projector
People
Katsuhiro Yamaguchi, Tadasu Izawa
Works
Electronic Art, Visual Music Orchestration
Organisations
Asahi Graph, Jikken Kobo, Jikken Kōbō, Sony, Tokyo Telecommunications Engineering Corporation
Places
Japan, Tokyo

Echoes across time

Le Random editorials

Explore all Le Random editorials and artist interviews

Le Random podcast