Generative Art Timeline · Chapter 4: Digital Era (1960s)

1967

Gyorgy Kepes Establishes the Center for Advanced Visual Studies (CAVS) at MIT

Event · North America

CAVS fellows sit beside an experimental sculpture of metal beams, transparent panels and video monitors.
CAVS fellows testing the collaborative kinetic sculpture Centerbeam, 1977, a later project of the center founded at MIT in 1967. MIT Center for Advanced Visual Studies Special Collection; image supplied by MIT News / MIT Program in Art, Culture and Technology. Photographer not identified for this archival image. Image source.

The Center was established at The Massachusetts Institute of Technology (MIT) by Kepes “to bring artists from around the world to collaborate with MIT’s community of scientists and engineers, [in order] to produce works using new directions in technological approach.” It was attempted to create a community of innovators, providing opportunities for artists such as Nam June Paik and Stan Vanderbeek. Over the course of 42 years, more than 200 artists would go through CAVS. This interdisciplinary center was MIT’s first foray into contemporary art and an important step in the development of MIT as a critical interlocutor between art and science.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

György Kepes, Nam June Paik, Stan VanDerBeek

Movements

Technology and Art

Filed under

Ideas
art and science, collaboration, community, Technology and Art
People
György Kepes, Nam June Paik, Stan VanDerBeek
Works
Studies
Organisations
Center for Advanced Visual Studies (CAVS), MIT
Places
Massachusetts

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