Generative Art Timeline · Chapter 8: Tooling Era (2000s)

2004

Pitch and Volume by Anna Ursyn

Artwork · North America · Women Artists

Anna Ursyn's Pitch and Volume as reproduced in the ACM SIGGRAPH Art Show Archives entry for the SIGGRAPH 2004 Synaesthesia exhibition.
Anna Ursyn's Pitch and Volume as reproduced in the ACM SIGGRAPH Art Show Archives entry for the SIGGRAPH 2004 Synaesthesia exhibition. Anna Ursyn, Pitch and Volume, 2004. ACM SIGGRAPH Art Show Archives.

Exhibited at SIGGRAPH 2004’s Synaesthesia, Pitch and Volume by Anna Ursyn, scrutinizes the intricate relationship between the digital and natural orders, exploring how both domains manifest structured patterns that can be perceived and analyzed. Ursyn articulates her process of merging these patterns in her art, employing techniques that range from initial sketches to complex computer programming. Her work reflects on how urban environments and big datasets resonate with natural rhythms and structures, influencing her artistic expression and teaching in computer art and graphics. Through this blend, Ursyn emphasizes the symbiotic interaction between human technological impacts and the inherent order of the natural world, enriching our understanding and engagement with both. Other artists to exhibit include Roman Verostko, Casey Reas and Hans Dehlinger.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Anna Ursyn, Casey Reas, Hans Dehlinger, Roman Verostko

Movements

Data Art, digital art, generative art

Filed under

Ideas
Data Art, datasets, digital art, generative art
Technologies
computer art, computer graphics, programming
People
Anna Ursyn, Casey Reas, Hans Dehlinger, Roman Verostko
Works
Pitch and Volume
Exhibitions
Synaesthesia
Organisations
SIGGRAPH

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