Generative Art Timeline · Chapter 8: Tooling Era (2000s)

2009

scoreLight by Alvaro Cassinelli, Masatoshi Ishikawa, Yusaku Kuribara and Daito Manabe

Event · Japan

scoreLight in use: several pairs of hands around a sheet of paper as the instrument's red laser spot traces the drawn contour it is reading as sound.
scoreLight in use: several pairs of hands around a sheet of paper as the instrument's red laser spot traces the drawn contour it is reading as sound. scoreLight by Alvaro Cassinelli, Masatoshi Ishikawa, Yusaku Kuribara and Daito Manabe. Courtesy Alvaro Cassinelli.

The innovative work from Japan explored the intersection of visual art and sound by transforming doodles and three-dimensional objects into musical sequences. The instrument, which operates without cameras or projectors, employs a laser to trace contours much like a stylus reads a vinyl record, but with visual forms generating the sound. Users can influence pitch by altering the inclination of lines or rotating the drawing, while tempo varies with contour length. This method reflects the continued evolution of interactive art, reminiscent of earlier explorations like the reactive installations of Myron Krueger in the 1970s. scoreLight extends these concepts into the auditory realm, merging sculptural visuals and sound in a fluid, interactive experience.

Text by Peter Bauman. Generative Art Timeline, Le Random.

Sources

People

Alvaro Cassinelli, Daito Manabe, Masatoshi Ishikawa, Yusaku Kuribara

Movements

Generative Music, Generative Sound, Interactive Art

Filed under

Ideas
Generative Music, Generative Sound, Interactive Art
Technologies
laser
People
Alvaro Cassinelli, Daito Manabe, Masatoshi Ishikawa, Yusaku Kuribara
Works
scoreLight, Sound Art
Places
Japan

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