Generative Art Timeline · Chapter 8: Tooling Era (2000s)
2009
scoreLight by Alvaro Cassinelli, Masatoshi Ishikawa, Yusaku Kuribara and Daito Manabe

The innovative work from Japan explored the intersection of visual art and sound by transforming doodles and three-dimensional objects into musical sequences. The instrument, which operates without cameras or projectors, employs a laser to trace contours much like a stylus reads a vinyl record, but with visual forms generating the sound. Users can influence pitch by altering the inclination of lines or rotating the drawing, while tempo varies with contour length. This method reflects the continued evolution of interactive art, reminiscent of earlier explorations like the reactive installations of Myron Krueger in the 1970s. scoreLight extends these concepts into the auditory realm, merging sculptural visuals and sound in a fluid, interactive experience.
Text by Peter Bauman. Generative Art Timeline, Le Random.
Sources
People
Alvaro Cassinelli, Daito Manabe, Masatoshi Ishikawa, Yusaku Kuribara
Movements
Generative Music, Generative Sound, Interactive Art
Filed under
- Ideas
- Generative Music, Generative Sound, Interactive Art
- Technologies
- laser
- People
- Alvaro Cassinelli, Daito Manabe, Masatoshi Ishikawa, Yusaku Kuribara
- Works
- scoreLight, Sound Art
- Places
- Japan
Echoes across time
- 1957 · An Experiment in Musical Composition is Published
- 2020 · INTANGIBLE FORMS by Shohei Fujimoto
- 1983 · SIGGRAPH’s Exhibition of Computer Art
Le Random editorials
- Kyle McDonald on Computer Softness, Peter Bauman, March 30, 2026
Le Random podcast
- Timeline Ch 8—Tooling Era (2000s) with Christiane Paul, Casey Reas, Christa Sommerer & Golan Levin — listen with transcript on Le Random (15 May 2024, 64 min). Chapter 8’s episode. Apple Podcasts · Spotify