Generative Art Timeline · Chapter 10: On-Chain Era (2020s)

2021

Social Codes by Feral File

Exhibition

Intersecting black lines create a deep funnel around a small red point on a white field.
LIA, dada data, 2021, created for Social Codes, Feral File’s inaugural exhibition curated by Casey Reas. Artwork by LIA. Image published on the artist’s website, liaworks.com. Image source.

Originally minted on Bitmark, Social Codes was a group online exhibition by Feral File and curated by artist Casey Reas in March before NFT-mania has properly taken off. The exhibition’s timing was perfect, as interest in the artists featured was rising rapidly. The ten artists included Dmitri Cherniak, LIA, Andrew Benson, LIA, Dmitri Cherniak, Raven Kwok, Anna Carreras, Manolo Gamboa Naon, Maya Man, Frederik Vanhoutte, Saskia Freeke and Dave Whyte (Bees and Bombs). Each artwork was created using custom software, and meant to showcase the power of code as a medium for artistic expression. Social Codes provided a cohesive space for these rapidly emerging digital artists to make work, curated by the legendary creator of Processsing itself. The show was thus a critical stamp of approval for some of the earliest generative art on the blockchain, increasingly, long-form generative art.

Text by Peter Bauman. Generative Art Timeline, Le Random, fact-checked September 2026.

Sources

People

Andrew Benson, Anna Carreras, Casey Reas, Dave Whyte (Bees and Bombs), Dmitri Cherniak, Frederik Vanhoutte, LIA, Manolo Gamboa Naon, Maya Man, Raven Kwok, Saskia Freeke

Movements

Blockchain Art, generative art, long-form generative art, NFT Art

Filed under

Ideas
Blockchain Art, code as material, creative coding, curation, generative art, NFT Art
Technologies
blockchain, long-form generative art, NFTs
People
Andrew Benson, Anna Carreras, Casey Reas, Dave Whyte (Bees and Bombs), Dmitri Cherniak, Frederik Vanhoutte, LIA, Manolo Gamboa Naon, Maya Man, Raven Kwok, Saskia Freeke
Exhibitions
Social Codes
Organisations
Bitmark, Feral File

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